Last week I managed to get my hands on an advance copy of Elvis Costello's forthcoming release entitled "North." As you may have heard, I'm a borderline luanatic when it comes to all things Costello. Therefore, it was with giddy anticipation that I put on the new record.
Well, dear readers, that giddiness was soon replaced with confusion and frustration. EC has been known to take some odd roads. Records with the Brodsky Quartet and Burt Bacharach certainly come to mind. He's certainly an artist who likes to explore musical genres. I can appreciate his range and have gone on some wild, but ultimately fulfilling, rides with the man. I knew that this one would be pretty crazy, too. I didn't, however, think it would be dreadful.
I'm here to tell you that, unfortunately, dreadful is what it happens to be. It's an entire album of orchestral and jazz-tinged ballads. It's no longer Elvis the angry youth. It's Elvis the crooner to the extreme. From the first lush notes of the opening track "You Left Me In The Dark" Mr. MacManus finds himself out of his league trying to hit notes that his trademark scruff can't approach. This isn't to say that orchestral ballads don't work for Costello. On the contrary, several of his collaborations with Bacharach on 1999's "Painted From Memory" are brilliant. To my ears, though, that's primarily due to the fact that no one on Earth writes orchestral pop hooks like Bacharach. The medium isn't Elvis' strength and, by golly, it shows. In the end it's a confusing array of weird angles and notes that he can't hit. Even his trademark wit has been reduced to lines like
I lay my head down on fine linens and satin
Away from the mad-hatters who live in Manhattan
The Empire State Building illuminating the sky
I'm in the mood, I'm in the mood, I'm in the mood again.
Is the album really that bad? Probably not. Heck, I might even like it upon repeated listenings. In fact, a couple of the songs are already tolerable to me. It's just not what I was hoping for. It's just not up to the standard that Costello has set for himself.
Elvis very famously opens his liner notes for the re-release of "Goodbye Cruel World" by saying "Congratulations. You've just purchased the worst record in my catalog." Unfortunately, I think it may now have company.
Posted by mikewolf at August 25, 2003 01:53 PMHey, if you're looking for a cross-over CD by a pop-singer, crooning the jazz standards, that *works,* get Boz Scagg's latest - "But Beautiful." Unlike Rod Stewballs, or your Elveesh, Scaggs has the voice - and ability - to pull it off. It's soothing, subtle, simple and soooooogreeeet!
Posted by: deano on August 25, 2003 04:37 PMBTW, if you want to get on a plane west, tomorrow and wednesday (warning - advertising to follow! but it's ok, because you could be on TV, or a DVD, if you ACT NOW...):
Slim's and the Great American Music Hall are proud to announce:
Boz Scaggs is set to perform two intimate shows at the Great American Music Hall in San Francisco on Tuesday, August 26th and Wednesday, August 27th at 8pm.
The first night, entitled “BUT BEAUTIFUL,” will feature Boz, accompanied by a classic jazz quintet, performing material from his latest critically acclaimed album of standards, "But Beautiful,"
as well as classic material from his extensive catalog, while the second night, aptly titled “THE ESSENTIALS,” will focus on the many hits from throughout his enduring career. Both
extraordinary performances will be filmed for a special television broadcast and DVD.
Tickets are $50 each and available in person at Slim's & Great American Music Hall box offices or www.virtuous.com & tickets.com. For more information, please call the Great American Music Hall at (415) 885-0750 or visit the website at www.gamh.com
I am sorry to hear you didn't like the new Elvis album. Remember he is trying to explore his artistic range. Wait until the next album. So don't burn your E.C. sheets and P.J.'s with the footies just yet.
Posted by: Brad on August 26, 2003 09:04 AMPerhaps you should check out Mandy Moore's new album, Coverage. I understand the 19-year-old covers John Hiatt, Todd Rundgren, and Elton John, among others. :p
Posted by: LadyCrumpet on August 27, 2003 12:25 PMThanks for the mini-quotation, Mike. What's this with EC and the Elton John guilt-trip? Ever since Elton complained about being left off the top 500 records (or was that top 5000) records, Elvis has been mentioning the old fellow all the time. The reference to Mona Lisas and Mad Hatters would be interesting if the rest of the verse weren't so naff.
Posted by: Art Pomeroy on August 31, 2003 09:39 PM